TV Reviews

Netflix’s series about the famous grifter isn’t about scorching the wealthy. Rather, it’s about leeching off their most valued asset: impunity.
The new series is full of big names like Kristen Wiig and was expected to be the spring’s prestige TV show.
The Netflix film insists that this story is unique — but its approach is so heavy-handed that it feels patronizing.
In a shaky TV landscape, the outlier streamer has dropped a binge-worthy new show about Black students at a mostly white boarding school.
Violett Beane and Mandy Patinkin take audiences on a thrilling and captivating ride.
The first part of the show's final season has arrived on Netflix — and it's focused on an event many of us watched unfold on our TVs.
Like many revenge genre offerings, "The Fall of the House of Usher" rightfully takes aim at an urgent issue. And like many recent drug narratives, it falls flat.
Hulu's adaptation of Zakiya Dalila Harris' book tells the story of two Black female professionals in white corporate America — while maintaining the suspense.
Amid a landscape of comfort television, this sprawling story led by Lakeith Stanfield is anything but soothing.
Boots Riley’s “Sorry to Bother You” follow-up has much of the absurdity and anti-capitalist themes of his earlier work, but it falls apart by the end.