Epic Bollywood Movie That Sparked Protests, Court Battles And Burnings Opens In India

The debut of “Padmaavat” set off a new round of discord.

A controversial new Bollywood movie is causing security concerns in India as it opens in theaters across the country on Thursday. 

“Padmaavat” has all the hallmarks of what might have been a universally celebrated Bollywood epic ― a critically acclaimed director, an estimated $30 million production budget, A-list actors dressed in lavish finery, elaborate dance and action sequences, and a love story to tie it all together. 

Yet in the months before its opening, the film provoked street protestors to burn effigies of director Sanjay Leela Bhansali and prompted a showdown in India’s Supreme Court over whether state governments can ban the movie. Hundreds of women have threatened to commit suicide, and in some states, theater companies scrapped plans to screen the movie for fear of violence.

 Watch the trailer for “Padmaavat” below. 

“Padmaavat” is a dramatic retelling of the story of the Hindu queen Padmavati, wife of the king Ratan Sen, from the Rajput warrior clan. According to tradition, Padmavati was so beautiful that a Muslim ruler, Alauddin Khilji, waged battle against Sen’s entire kingdom in order to capture her. But Padmavati commits suicide by self-immolation before the ruler could claim her. 

Some Hindu groups in India, particularly those linked to the Rajput clan, are outraged at how they believe Padmavati is portrayed in the new film. The protestors, led by the group Shri Rajput Karni Sena, claim the director distorted history and disrespected their legendary queen by portraying Padmavati in an intimate romantic scene with the Muslim ruler. The producers deny that such a scene is part of the film, the BBC reports. Several reviewers who viewed the movie have confirmed this.

The protestors have also complained that the movie cheapens the heroic acts of Padmavati, played by the popular Bollywood actress Deepika Padukone.

Open Image Modal
Bollywood actor Deepika Padukone visits a temple before the release of her upcoming film "Padmaavat" in Mumbai, India Jan. 23, 2018.
Danish Siddiqui / Reuters

The uproar puzzles some onlookers. Many protestors have yet to see the film and are basing their fury on hearsay, The New York Times reports. In addition, scholars of Indian history actually are uncertain whether the queen was a real historical figure.

The Muslim ruler Alauddin Khilji and his Hindu opponent Ratan Sen are real figures from 14th-century India. Padmavati’s story was immortalized two centuries later, in an epic poem by the mystic Malik Muhammad Jayasi. The filmmakers have said the movie is inspired by that poem.

Open Image Modal
A scene from "Padmaavat."
Viacom18 Motion Pictures YouTube

Bollywood films that illustrate historical encounters between Muslims and Hindus, India’s majority religion, are often controversial, Reuters reports. And, as Hindu nationalism rises in the country, the film has become a symbol of growing cultural tensions. 

Bollywood is a “soft target” that generates “instant publicity” for groups or individuals attacking it, said Anjum Rajabali, an Indian screenwriter. The protests around “Padmaavat” have helped further the myth of Hindu sentiments under siege, Rajabali wrote in an op-ed for The New York Times in December. 

“Even a fictional queen and a Muslim king have become tools to garner Hindu votes,” Rajabali wrote. “Fabricating a hostile ‘other’ helps retain power. The methodology has been transparent — generate fear and hatred, and use those to legitimate violence.”

Open Image Modal
Indian protesters take part in a demonstration against Bollywood film 'Padmaavat' in Sikar, on January 25, 2018. Thousands of police in riot gear guarded cinemas across India on Thursday, amid threats of violence by Hindu hardliners opposed to the release of a movie about a legendary Hindu queen and a Muslim king.
- via Getty Images

“Padmaavat” was the subject of protests months before the film was released. Last January, Bhansali was reportedly assaulted on set by a mob of protestors. And in March, Indian media reported that the movie’s sets were vandalized and set on fire, causing extensive damage to costumes. Last year, a leader from India’s ruling Bharatiya Janata Party called for the beheading of the film’s lead actress and the director.

Four Indian states, Gujarat, Rajasthan, Madhya Pradesh and Haryana, imposed bans on the film. India’s Supreme Court stepped in earlier this month to overturn the bans and clear the way for “Padmavaat’s” release across the country.

Open Image Modal
A bus conductor stands inside a bus that was set on fire near the village of Bhondsi in Gurgaon, allegedly by activists of Karni Sena, who were protesting against the release of film "Padmaavat."
Hindustan Times via Getty Images

The protests picked up steam this week, ahead of the movie’s opening.

In a letter to India Prime Minister Narendra Modi, a group of Rajput women in Rajasthan expressed willingness to commit suicide over the film. Police in the area told Times Now News that they believe the threats were hollow.

As the movie debuted on Thursday, protestors vandalized shops in the state of Rajasthan and waved swords and burned tires in Bihar to show their displeasure, Reuters reports.

“If you have freedom of writers, freedom of expression, we too have freedom of protest,” Lokendra Singh Kalvi, head of the Shri Rajput Karni Sena, told Reuters.

Open Image Modal
Rajput Karni Sena chief Lokendra Singh Kalvi addresses a press conference about the release of "Padmaavat," in Jaipur, Rajasthan, India, on Jan. 24.
NurPhoto via Getty Images

Rituparna Chatterjee, an editor at HuffPost India, pointed out the irony of the protests.

“The local groups fighting relentlessly for days now to defend a possibly fictional queen’s honor, have had no qualm in issuing threats to the woman who plays the titular role,” Chatterjee wrote in a blog.

Chatterjee also saw the Karni Sena’s protests as signs that the group is seeking greater political clout and wants to become India’s next “foot soldiers of nationalism.”

“The Sena has been desperately looking for a cause, apart from Rajput rights, to make their agitations mainstream.”

Our 2024 Coverage Needs You

As Americans head to the polls in 2024, the very future of our country is at stake. At HuffPost, we believe that a free press is critical to creating well-informed voters. That's why our journalism is free for everyone, even though other newsrooms retreat behind expensive paywalls.

Our journalists will continue to cover the twists and turns during this historic presidential election. With your help, we'll bring you hard-hitting investigations, well-researched analysis and timely takes you can't find elsewhere. Reporting in this current political climate is a responsibility we do not take lightly, and we thank you for your support.

to keep our news free for all.

Support HuffPost

Before You Go

Indian Art The Met
(01 of10)
Open Image Modal
"Krishna Steals the Clothing of the Gopis (Cow Maidens)." Attributed to the artist known as the Early Master at the Court of Mandi. Probably an illustrated folio from a dispersed Bhagavata Purana (The Ancient Story of God) Punjab Hills, kingdom of Mandi, ca. 1640. Opaque watercolor and gold on paper; red border with white and black inner rules; painting 11 7/8 x 8 in. Promised Gift of the Kronos Collections, 2015. (credit:The Metropolitan Museum of Art)
(02 of10)
Open Image Modal
"A Krishna and the Gopas (Cow Herders) Enter the Forest,"Possibly by Kota Master. Rajasthan, kingdom of Kota, ca. 1720, Opaque watercolor and gold on paper; red border with black-lined gold inner rule; painting 10 1/2 x 7 3/4 in. Promised Gift of the Kronos Collections, 2015. (credit:The Metropolitan Museum of Art)
(03 of10)
Open Image Modal
"Krishna and the Gopas (Cowherders) Huddle in the Rain." Attributed to the artist known as the Master of the Swirling Skies (active second quarter of 18th century) Punjab Hills, kingdom of Jammu, ca. 1725–50. Opaque watercolor and silver (now tarnished) on paper; modern border; painting 8 3/8 x 5 7/8 in. Promised Gift of the Kronos Collections, 2015 (credit:The Metropolitan Museum of Art)
(04 of10)
Open Image Modal
Ladies on a Terrace. Painted by the artist Ruknuddin (active ca. 1650–ca. 1697) Rajasthan, kingdom of Bikaner, dated 1675 Opaque watercolor, black ink, and gold on paper; wide light brown border with variously colored inner rules; painting 7 5/8 x 5 5/16 in. (19.4 x 13.5 cm), Promised Gift of the Kronos Collections, 2015 (credit:The Metropolitan Museum of Art)
(05 of10)
Open Image Modal
"A Nobleman and His Devoted Wife Seated in the Forest; Two Female Musicians Attend." Illustrated folio probably from an unidentified nayaka-
nayika (hero-heroine) series Punjab Hills, kingdom of Basohli, ca. 1685. Opaque watercolor, gold, and applied beetle-wing cases on paper; wide red border with black, silver (now tarnished), and striated white inner rules; black outer rule (missing right corner of folio replaced); painting 6 11/16 x 11 in. Promised Gift of the Kronos Collections, 2015.
(credit:The Metropolitan Museum of Art)
(06 of10)
Open Image Modal
"The Lovers Radha and Krishna in a Palm Grove." Illustrated folio from the dispersed "Second" or "Tehri Garhwal" Gita Govinda (Song of the Cowherds) Punjab Hills, kingdom of Kangra or Guler, ca. 1775–80. Opaque watercolor and gold on paper; red border decorated with gold arabesque, with black inner rules; painting 6 x 9 7/8 in. Promised Gift of the Kronos Collections, 2015 (credit:The Metropolitan Museum of Art)
(07 of10)
Open Image Modal
"The Village Beauty." Probably painted by the artist Fattu (active ca. 1770–1820) Illustrated folio from the dispersed "Kangra Bihari" Sat Sai (Seven Hundred Verses) Punjab Hills, kingdom of Kangra, ca. 1785. Opaque watercolor, ink, and gold on paper; narrow yellow and white borders with black inner rules; dark blue spandrels decorated with gold arabesque; painting 7 3/8 x 5 3/16 in. Promised Gift of the Kronos Collections, 2015. (credit:The Metropolitan Museum of Art)
(08 of10)
Open Image Modal
Blindman’s Buff: The Demon Pralambha Carries Balarama on His Shoulder. Illustrated folio from the dispersed "Isarda" Bhagavata Purana (The Ancient Story of God) North India, probably Delhi-Agra region, ca. 1560–65. Opaque watercolor on paper; yellow and pink border with variously colored rules; Promised Gift of the Kronos Collections. (credit:The Metropolitan Museum of Art)
(09 of10)
Open Image Modal
"Hide-and-Seek: Krishna Playing a Game with the Gopas (Cowherds)" Ascribed to the artist Manaku (ca. 1700–ca. 1760) Punjab Hills, kingdom of Guler, ca. 1750–55. Opaque watercolor, ink, and gold on paper; narrow dark blue border (probably trimmed); painting 9 5/8 x 6. Promised Gift of the Kronos Collections, 2015. (credit:The Metropolitan Museum of Art)
(10 of10)
Open Image Modal
"Krishna Swallows the Forest Fire." Attributed to the Master at the Court of Mankot (active ca. 1690–1730). Illustrated folio from the dispersed “Upright” Bhagavata Purana (The Ancient Story of God) Punjab Hills, kingdom of Mankot, early 18th century. Opaque watercolor, gold, and silver (now tarnished) on paper; wide red border with white and black inner rules; painting 9 x 6 3/16 in. Promised Gift of the Kronos Collections, 2015 (credit:The Metropolitan Museum of Art)